Polish Cup

Siena wrote the words (libretto) and Cummings the music. “Working Proof: James Siena, Nine Prints (1999–2001).” Art on Paper, (September–October 2001): 75, illustrated. New York, NY, 10012

According to Siena, “He was a marvelous Renaissance man” who taught his students such skills as determining whether paper is archival quality and making ink out of toast crumbs and saliva. 2 (November/December 2009): 23–26, illustrated. James Siena (born October 28, 1957) is an American contemporary artist based in New York City.

Art in America (May 2002): 146–147, illustrated. spend for a work, though this does not necessarily mean you will pay that price. a treasure trove of fine art from the world's most renowned artists, galleries, We reserve the right, however, to deny any request or rescind any permission granted by us to link through such other type of link, and to require termination of any such link to the Site, at our discretion at any time. Gorney Bravin + Lee, New York; Daniel Weinberg Gallery, Los Angeles. Los Angeles Times, 2 July 2004: E23. special offers, invitations and features. To celebrate Valentine's Day, we've compiled a list of some of the more prominent couples whose hearts have been intertwined by the aesthetic ribbons of contemporary art. Time Out New York, 14–20 January 2010: 42. WITHOUT LIMITING THE FOREGOING, EVERYTHING ON THE WEBSITE AND IN THIS CONTEST IS PROVIDED “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE OR NON-INFRINGEMENT. Artspace provides you with access to and use of the Site subject to your compliance with the Terms and the Site's Privacy Policy. Marian Goodman Gallery, Bomb Magazine, Oxbow School, Art Plural Gallery, Revolver Gallery, The New York Times, 19 February 1999.

New York Sun, 3 March 2005: 19+. Artspace does not guaranty and is not responsible in any way for the performance of buyers or sellers participating in the auction. Sellers must make shipment promptly on receipt of good funds from buyers. continue bid on your behalf up to your maximum bid.

“James Siena: Ten Years of Printmaking at William Shearburn Gallery” (exhibition review). In the paintings, prints, and drawings, you tend to give yourself certain constraints as part of the process. . “To the Warp and Weft, Add Vision and Craft.” The New York Times, 26 January 2010: C1+, illustrated. Siena was invited to ULAE by Larissa Goldston in the summer of 2003. You will be redirected to Affirm to provide your information for real-time decision. All issues and questions concerning the construction, validity, interpretation and enforceability of these Official Rules, or your rights and obligations or Sponsor’s rights and obligations in connection with this Contest, shall be governed by, and construed in accordance with, the laws of the State of New York, U.S.A., without giving effect to the conflict of laws rules thereof, and all proceedings shall take place in that State in the City and County of New York. “The Art World-What’s New: The Whitney Biennial” (exhibition review). For quite some time, I did not have any titles for these works, but then I started assigning names to them — invented or real — and thinking about how that could nudge the viewer towards my mind. “The Enduring Allure of Scratching on Metal [The Museum of Modern Art: The Compulsive Line]” (exhibition review). “Labor of love.” Time Out New York, January 29–February 5, 2004: 69, illustrated. As we think through the progress of the sculptures, should we sequence them as first the toothpick and grape stem works, then to the bamboo, and then the bronzes? James Siena is known for having a passion for prints and the art of printmaking. I have a friend who is a sculptor, but has a background in urban planning. including commission, shipping, and taxes and duties when applicable. His art is typically created through a series of self-imposed constraints also sometimes referred to as visual algorithms —rules Siena decides on before sitting down to work. Create one now. We only need to validate your card once. “Siena Entwines Abstract Threads.” San Francisco Chronicle, 1 February 2003. forge headers or manipulate other identifiers in order to disguise the origin of any User Content you provide; I think we’re all trying to find some sort of signifier for “things,” but there are only so many “things” (laughter). Our failure to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision. before your card is charged, and you will have the option to change your payment method at that time. If you are outbid, we will Frankel, David. In the bamboo ones, I tend to work from the outside in, like I do in a painting. “James Siena at Gorney Bravin + Lee” (exhibition review). Cohen, David. from Cornell, Siena has emerged as one of the art world's internationally respected leaders. Any commercial use of the Site is strictly prohibited, except as allowed herein or otherwise approved by us. And there’s the leaving it to others. Dannatt, Adrian. "They're procedures," Siena says of the rules governing his paintings. In addition to his paintings and sculpture, Siena has made over 120 prints using a variety of techniques in collaboration with some of the most recognized art presses in the United States and abroad; including Universal Limited Art Editions (ULAE), Tamarind Institute, Harlan & Weaver, Flying Horse Editions, Pace Prints and Polígrafa Obra Gráfica. Cotter, Holland. Goods offered on Artspace Auctions must be tangible goods that meet the requirements of the Site. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. I started working on the bronzes in the fall of 2013. Siena is a known wine enthusiast and helped design the wine label and logo for the Oregon-based winery, Illahe Vineyards in 2011. dealers, collectors, curators and influencers. If the displayed price is higher than the actual price, you may be refunded the overcharge. Cohen, David. 2000 Buyers are responsible for determining the value, condition and authenticity of the goods. artnet.com, 29 December 1997: illustrated.

Some exclusions apply. The information on the Site including, without limitation, all site design, text, graphics, interfaces, and the selection and arrangements is protected by law including copyright law. Many hours, depending on the complexity. Sellers are solely responsible for the description, condition, authenticity, and quality of the goods offered. Abusing special discounts, awards or incentives offered by Artspace. And the words offer hints to the truth (oaths) and doubts about them as well (questions). “Authorized account holder is defined as the natural person who is assigned to an e-mail address by an Internet access provider, on-line service provider or other organization (e.g., business, educational, institution, etc.) Offer is applied by using the code Join the Hammer and LACMA in collecting artists on the rise. impersonate anyone else or lie about your affiliation with another person or entity in your User Content; Most of the works are titled after people, places, or enigmatic word combinations. The New Yorker, 22 March 2004: 100–101.

Anthony Braxton is an experimental musician who occasionally writes compositions using very unconventional notation. “Trippy World at Baron/Boisante” (exhibition review). Beckman, Rachel. Bamboo, string and glue, 12 x 16 1/4 x 12 inches.

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James Siena is a contemporary American artist known for his complex abstract paintings and prints. One of the most famous living abstract artists, James Siena is best known for the intricate geometric abstractions that he creates freehand by imposing upon himself a set of "rules" that he calls "visual algorithms." “Systematic Spaghetti.” New York Observer, 30 June 2003, p. 26. bid no longer exceeds the current bid, you will receive an outbid notification email, and have the

There is a little bit of slippage that has to do with the inherent qualities of the bamboo. By using the Site following any modifications to the Terms, you agree to be bound by such modifications.

I cut them to the right length and worked with a master welder to make the welds. “Endless Love” (exhibition review). [19], Siena was appointed critic in painting/printmaking at Yale University in 2015. New York, 212 989 4258. This kind of going away and coming back to work on something…. use meta tags or any other "hidden text" utilizing any of our or our suppliers' product names or trademarks in your User Content; or

I’ve been working on this show for such a long while. I never liked the round toothpicks, which was all they had. Create an account and save your preferences. Finch, Charlie. If for any reason this Contest is not capable of running as planned due to infection by computer virus, bugs, tampering, unauthorized intervention, fraud, technical failures, or any other causes which, in the sole opinion of Sponsor, corrupt or affect the administration, security, fairness, integrity, or proper conduct of this Contests, Sponsor reserve the right to cancel, terminate, modify or suspend the Contest. Smith, Roberta. Annual Report 2005–2006. Art News 104 (June 2005): 119. Particularly Morthanveld…. in 1979 from Cornell. Yablonsky, Linda. A combination of machining, etching, and hand finishing was used to fabricate the medal to achieve the highest possible level of detail in the finished piece. For Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price. Without limiting the generality of the foregoing, you agree to comply with all applicable laws regarding the transmission of technical data exported from the United States or the country in which you reside.

“On View: New York's New Art.” New York Magazine, 28 February 2000: 76. provide any User Content that contains lies, falsehoods or misrepresentations that could damage us or anyone else; “Abstraction—The Space of the Image and the Image’s Space in the 21st Century.” RES Art World/World Art, no. Ithaca, New York: Cornell University, You may not download or save a copy of any of the Content or screens for any purpose except as otherwise provided by Artspace. Asked to name the teacher who most influenced him, Siena quickly cites Mary Croston, an after-school art instructor who taught him as a teenager.


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